/ 《回家》Go Home

—— 本篇文章為《小花計畫2022-Re：小花盛開的回音》作品介紹 ——


《回家》
Go Home

家家 X 曲淵澈
Jia Jia X Vvzela Kook


《回家》錄像裝置作品由音樂人瑪莎、家家與香港藝術家曲淵澈共同創作。瑪莎以歌手順子的成名曲《回家》重新編曲，由家家厚實嗓音的聲線，演繹關於家、漂流以及和原生土地分離等糾結的心境。瑪莎在整首歌曲中收錄現場的環境音，藉由混音技術將旅人與火車的記憶風景，由聲音串起／穿越鄉村、城鎮、都會與跨域的空間記憶，堆疊出離鄉背井的離人對故鄉的懷思，透過耳機的聆聽凝塑出對家的情感音景。

Go Home is a video installation co-created by musician Masa, Jia Jia and Hong Kong artist Vvzela Kook. Masa re-arranges singer Shunza’s hit song, Go Home, to be re-interpreted by Jia Jia with her soulful voice, portraying the complex feelings about home, a drifting life and the separation from one’s native land. Throughout the music, Masa uses sound-mixing technology to combine ambient sounds with the music to evoke memories about travelers and traveling by train. Through sounds, the work mixes and transports listeners through rural, village, urban and interregional memories, layering travelers’ longing for home and conveying an emotional soundscape of home as the audience attentively listens through the headphones.

從心像—音像—視像的擴展，曲淵澈以多重的紋理與觸動深層的感知面，由家家詮釋原住民消逝的家，連結曲淵澈創作脈絡的延展，在錄像中隱伏多重交疊的離散敘事，包含她以科技的創作手法虛擬香港九龍寨城的復刻、溫哥華移民，以及曲爺爺的兄長歷經韓戰輾轉來臺的故事，多線的視角彼此穿插，映射了遷徙、移民與離散的跨域想像，引申了回家與不能回家的兩面探觸。同時在「視」與「聽」的交會上，香港藝術家曲淵澈從音樂與聲音獨特的穿透性，呈現她對臺灣的山、海、離別與尋找的視像詮釋。

Expanding mental image through sound and visual image, the video reveals Kook’s use of multi-layered texture and appealing to audience’s sensibility as well as Jia Jia’s interpretation of indigenous peoples’ loss of home. The work also continues Kook’s creative work, in which she has embedded intricate, overlapping narratives of diaspora, such as her virtual replication of Hong Kong’s Kowloon Walled City, stories about the migrants’ in Vancouver, and her grandfather’s brother who fought in the Korean War and eventually settled down in Taiwan. Various perspectives and narratives are woven together to reflect a cross-regional imagination about migration, immigrants and diasporic experiences, initiating a dual discussion about returning home and failing to do so. Meanwhile, delineating an intersection of “audio” and “visual” perceptions, Kook also employs the characteristically penetrative quality of music and sound to “visualize” her interpretation of Taiwan’s mountains and sea as well as that of separation and quest.

※ 展場注意事項：提醒您，因耳機為垂掛式，聽完後請輕輕放至原位，避免擺盪過大造成危險。


文字提供：台北當代藝術館 Provided by MoCA Taipei