In 2022, it was my first visit to Okinawa.
As the plane approached Okinawa Island, due to air currents and excessive speed,the captain announced Another Approach, leading us to circle in the air for nearlyan hour before safely landing at Naha Airport. The anxiety and tension whilewaiting to land seemed to hint at uncovering the unknown history of Okinawa thatlay ahead.
Yu-Chi Li
Video Sandbox 2024.10.22-2024.12.09
In 2022, it was my first visit to Okinawa.
As the plane approached Okinawa Island, due to air currents and excessive speed,the captain announced Another Approach, leading us to circle in the air for nearlyan hour before safely landing at Naha Airport. The anxiety and tension whilewaiting to land seemed to hint at uncovering the unknown history of Okinawa thatlay ahead.
the self versus subjectivity, the self versus the structure, and subjectivity versus the environment. Among the relationships, and in the state of pathological alienation and lost subjectivity, is it possible to reclaim our freedom?
Chen Yu-wei
Video Sandbox 2024.08.27-2024.10.13
the self versus subjectivity, the self versus the structure, and subjectivity versus the environment. Among the relationships, and in the state of pathological alienation and lost subjectivity, is it possible to reclaim our freedom?
The woods are full of life with bright colors and bright spring scenery, but one day they start to be occupied by many vehicles and buildings and turn into a gray city.
Chen Yan-ni
Video Sandbox 2024.07.02-2024.08.18
The woods are full of life with bright colors and bright spring scenery, but one day they start to be occupied by many vehicles and buildings and turn into a gray city.
“ALIEN Art Centre—Video Sandbox” is a National Video Art Creator Contest that marks the sixth anniversary of the establishment of the center, open to contemporary artists under the age of 40 (including).
ALIEN Art Centre, Tainan National University of the Arts
Video Sandbox Entry Deadline: 2024.04.01 - 2024.04.30
“ALIEN Art Centre—Video Sandbox” is a National Video Art Creator Contest that marks the sixth anniversary of the establishment of the center, open to contemporary artists under the age of 40 (including).
Under the interplay of irregular material shapes and light and shadow, the five elements complement each other and the colors grow and grow together, forming a myriad of changes in the shape of the cut.
Mengfan Huang
Video Sandbox 2024.05.17-2024.06.16
Under the interplay of irregular material shapes and light and shadow, the five elements complement each other and the colors grow and grow together, forming a myriad of changes in the shape of the cut.
Presenting alienated emotions and reflection through different scenes, still time, and characters.
Chang Chun-Ting
Video Sandbox 2024.03.15-2024.04.14
Presenting alienated emotions and reflection through different scenes, still time, and characters.
The juxtaposition of two video tracks, invites the audience to experience the difference between the realty and the imaginary, such that internal sense of time, flow consciously free, and memories are just syntheses of the intertwined.
Huang Tzu Ting
Video Sandbox 2024.01.17-2024.03.08
The juxtaposition of two video tracks, invites the audience to experience the difference between the realty and the imaginary, such that internal sense of time, flow consciously free, and memories are just syntheses of the intertwined.
Remigrate uses 3D scanning to capture the images of Burmese Chinese people who have settled in Huaxin Street, located in New Taipei City, Taiwan. A combination of different surroundings at different times are placed into a reconstructed space coordinate.
Hu Ching Chuan
Video Sandbox 2023.11.24-2024.01.12
Remigrate uses 3D scanning to capture the images of Burmese Chinese people who have settled in Huaxin Street, located in New Taipei City, Taiwan. A combination of different surroundings at different times are placed into a reconstructed space coordinate.
BELIEVING IS SEEING employs Generative Fill technology to redefine the authenticity of light, in the context of the emergence of Artificial Intelligence and its new technique, Generative Fill.
Hsieh Yu Ting
Video Sandbox 2023.09.29-2023.11.17
BELIEVING IS SEEING employs Generative Fill technology to redefine the authenticity of light, in the context of the emergence of Artificial Intelligence and its new technique, Generative Fill.
This work presents a virtual coastal scene through real-time generated soundscapes and generative visuals, exploring the passage of time and fading memories. It simulates the images of waves and sun through data, highlighting the fleeting nature of information in the digital age.
YU-CHIN CHEN
Video Sandbox 2023.08.04-2023.09.23
This work presents a virtual coastal scene through real-time generated soundscapes and generative visuals, exploring the passage of time and fading memories. It simulates the images of waves and sun through data, highlighting the fleeting nature of information in the digital age.
The viewer's presence in the artwork is not simply captured data but a deliberate proof of human intervention. This chaotic state reflects, to some extent, humanity's excessive reliance on technology.
PeiYing Lin
Video Sandbox 2023.06.09-2023.07.31
The viewer's presence in the artwork is not simply captured data but a deliberate proof of human intervention. This chaotic state reflects, to some extent, humanity's excessive reliance on technology.
It’s a piece about trying to learn more about a distant family member— my late grandpa.
In this space, like in memory, nothing is flowing or moving, except sounds.
In memory, only small things change as time goes by.
Pinyi Tu
Video Sandbox 2023.04.14-2023.06.02
It’s a piece about trying to learn more about a distant family member— my late grandpa.
In this space, like in memory, nothing is flowing or moving, except sounds.
In memory, only small things change as time goes by.
Committed to spotting new talents, ALIEN Art Centre joins hands with Tainan National University of the Arts to curate Video Sandbox- the first nationwide open call for works of video art. With outstanding entries in contemporary art, the project carries out six exhibitions in a roll spanning over one year. In the exhibition room named “Memory” on the first floor of ALIEN Art Centre, viewers will find diverse ideas of aesthetics realized through media that include traditional films, experimental films, documentaries, animations, and motion images.
Video Sandbox 2023.04.14 - 2024.04.14
Committed to spotting new talents, ALIEN Art Centre joins hands with Tainan National University of the Arts to curate Video Sandbox- the first nationwide open call for works of video art. With outstanding entries in contemporary art, the project carries out six exhibitions in a roll spanning over one year. In the exhibition room named “Memory” on the first floor of ALIEN Art Centre, viewers will find diverse ideas of aesthetics realized through media that include traditional films, experimental films, documentaries, animations, and motion images.
“ALIEN Art Centre—Video Sandbox” is a National Video Art Creator Contest that marks the fifth anniversary of the establishment of the center, open to contemporary artists under the age of 40 (including).
ALIEN Art Centre、Tainan National University of the Arts
Video Sandbox Entry Deadline：2023.02.06 - 2023.03.06
“ALIEN Art Centre—Video Sandbox” is a National Video Art Creator Contest that marks the fifth anniversary of the establishment of the center, open to contemporary artists under the age of 40 (including).